This might sound obvious but if you want to use a stereo pedal then you will need two re-amper boxes, I would suggest two of the same model, and two inputs on your interface. Recording back into the DAW should then be a simple matter record enabling the correct audio interface inputs and track the effected signal into your DAW on a new track.
I particularly like to send multiple tracks to one output and through a pedal and back in. What to do you if you want to process a stereo signal through a mono pedal?
The issue with using a stereo output is you will have to make sure you pan everything in the stereo channel to the center. This can be a pain if you have carefully set up panning to busses for some instruments.
First, route your stereo track to a mono bus for me, bus 3 which you can use to insert the hardware insert in my instance on output 9 of my interface. This is outputted to a mono bus bus 4 that is assigned to mono track output. Create a new track and set the input channel to bus 4 and record enable this track.
You are then able to send multiple stereo tracks to that mono bus without losing one side or another in the stereo image. Here is a list of some of my favourite pedals that I use for mixing. I love ring modulators and the Frostwave Blue Ringer is my all-time favorite. The Blue Ringer can take two inputs and output the sum difference of those two frequencies which can also be controlled by CV. One of the two inputs has enough gain for a microphone and you can alter the modulation mix between input B and an internally generated oscillator.
The sounds are wonderfully alien and synthetic sounding. I use it on drums, on bass, on drums, on vocals, on drums. And on drums. It can take a vocal that is sitting flat and make it full of life and energy. Furthermore, you should never forget that you can do the same thing to any instrument in your song. Try this same technique with guitars, snare drums, or even percussion. Perfect for singers, songwriters, musicians, producers, and audio engineers, including Expert Level Training.
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You can also call us Toll Free anytime during business hours at Toll Free Upcoming Pro Tools Training. By going to the Insert section of our new voxverb1 Aux return, we can choose which reverb plug-in we want to launch: Like with any effect, once you dial in the setting you want, adjust the fader to sit in the mix where it sounds good to you. By using our site, you agree to our cookie policy. Cookie Settings. Learn why people trust wikiHow. Activate the Smart tool.
The Smart tool is a 3-in-1 context cursor that consists of the Trim tool, Selector tool, and Grabber tool. The cursor will change depending on where it is placed over an audio clip. To activate the Smart tool, click the bracket around the three main tools in the toolbar at the top, or press F7 and F8 at the same time. Select the region you want to create a fade for. Click and drag over a section of an audio clip to highlight it.
This selects that region. You can select as much of the clip as you need. To create a fade-in, you'll want to highlight the beginning of an audio clip starting on the left side. You can also highlight any blank space in front of the audio clip. You can select a region that already has a clip on it. This will overwrite the fade.
Alternatively, you can create a Fade-out by highlighting the end of a clip or you can highlight the beginning and end of two clips that are touching to create a crossfade. A crossfade will decrease the volume of one clip while increasing the volume of the other. This creates a smooth transition between two clips. The Fades dialog box allows you to control the shape and slope of a fade. Alternatively, you can click the Edit menu at the top and highlight Fades.
Click Create under the Fades sub-menu. Select the shade of the fade you want to use. Click the radio option next to "Standard" or "S-Curve. You may also select a custom curve by clicking on the arrows next to the curve diagram to display a drop-down menu. Modify the shape of the fade. You can modify the shape of the fade by clicking and dragging the line in the display at the top of the Fade dialog box.
Alternatively, you can click the radio option next to the drop-down menu at the bottom and select a line curve from the drop-down menu.
A straight diagonal line will create a steady increase in volume.
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